If I need a darker tone, I'll just add brown instead of white - but I'll try to keep it to 1/32 as it seems to be the perfect amount. I've been using this "recipe" for the longest time, and it saved me a lot of time too. I "fixed" it by adding white clay, because remember how translucent clay makes it darker anyway? White colour would counter that! □ It works wonderfully, and the mooning isn't that obvious, but I still get that nice translucency look □ Which is done correctly, since us humans is basically consist of about 75% water right?īut the mooning totally ruins the whole thing and that really sucks especially if you've already spent lots of time on it □ This flesh colour is probably a few colours pre-mixed together, with lots of translucent clay to give that natural look. These are raw clay, and I'm not sure if you can see it here, even the raw clay has a lot of mooning in it (which usually means it'd be more obvious when it's baked) This is why experimenting with different brands is important! MY SKIN COLOUR RECIPE It's another reason why I don't really use it ahaha. Whatever works I suppose! For people who paint on sculptures, it's just easier to have one colour ("colour" in this case) and use it for the base for everything haha.ĭukit translucent has a higher chance and tendency to moon A LOT. Some people use translucent clay to just sculpt and paint it after, basically not using it for its intended purpose. Also, if the item is smaller, it's less obvious □ I guess I'm glad I like to make miniatures? □ What I find consistent in preventing it from happening is unfortunately, using less of it, or use just enough. Some people said that it's the way you mix clay, the temperature of the oven, and all sorts of thing. This phenomenon is called mooning, and unfortunately, no one really knows how it forms and how to prevent it from happening. One of the cons of using too much translucent clay (or by itself) is that there might be some "white spots" on the baked piece.
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